Danny Gardner

Sculptor based in London

Danny Gardner with Canterbury Cathedral in the background

Danny Gardner is a sculptor and art educator based in London and Kent.

Danny’s practice is rooted in personal narrative, often beginning with a small detail, image or moment that stays with him until the only form of catharsis is to translate it into stone – to give it permanence. Stone is central to his practice for both conceptual and practical reasons. Its deep connection to art history, architecture and religion makes it a material rich with associations, while its physicality demands a sustained relationship between artist, material and object. Danny is also drawn to reclaimed stone as a durable and environmentally conscious material, particularly when given a new life within a contemporary work.

His practice is driven by an interest in the ideas behind an artwork: how images communicate, how symbols accumulate meaning, and how familiar subjects can be transformed by their cultural, social and political context. His work draws on a broad knowledge of artistic traditions, from classical representation and religious iconography to modern and contemporary approaches to form, material and narrative.

Danny explores enduring subjects including myth, legend, faith, symbolism and the human figure. He is particularly interested in materials with histories of their own, working with marble and reclaimed limestone from churches and cathedrals. The previous lives of these materials become part of the work, with sculptures often incorporating plinths, corbels and other architectural forms that acknowledge their origins.

For Danny, sculpture is a way of looking, questioning and reconsidering. His work brings historical forms and narratives into dialogue with the present, exploring how stories and symbols survive over time and how their meanings shift when viewed from a contemporary perspective.

Alongside his studio practice, Danny works as an art educator, which he considers an essential part of his development as an artist. He describes teaching as a reciprocal process: “Students of all ages are fantastic. Not only are you teaching them something important; you find that they end up teaching you a lot.” The exchange of ideas and perspectives that comes through education continues to inform his practice and the way he understands art.


Upcoming exhibitions:

Borough of Ealing Art Trail (BEAT), 2026